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Performance Ticket for "Areaniu" – Liangshan Yi Ethnic Culture Live-Action Drama

Liangshan Yi, Mainland China
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Liangshan Yi Cultural Scenery Reality Show "A Re Niu"
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
Seating chart for the Yi culture-themed live-action drama "A Re Niu"
Liangshan Yi Cultural Scenery Reality Show "A Re Niu"
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
Seating chart for the Yi culture-themed live-action drama "A Re Niu"
Liangshan Yi Cultural Scenery Reality Show "A Re Niu"
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
Seating chart for the Yi culture-themed live-action drama "A Re Niu"
Liangshan Yi Cultural Scenery Reality Show "A Re Niu"
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
Seating chart for the Yi culture-themed live-action drama "A Re Niu"
Liangshan Yi Cultural Scenery Reality Show "A Re Niu"
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
Seating chart for the Yi culture-themed live-action drama "A Re Niu"
Liangshan Yi Cultural Scenery Reality Show "A Re Niu"
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
Seating chart for the Yi culture-themed live-action drama "A Re Niu"
Liangshan Yi Cultural Scenery Reality Show "A Re Niu"
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
Seating chart for the Yi culture-themed live-action drama "A Re Niu"
Liangshan Yi Cultural Scenery Reality Show "A Re Niu"
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
The opening chapter uses the core imagery of the "eagle" – as the "king of the sky" worshiped by the Yi people, the actors soar on the stage wearing eagle feather costumes, accompanied by the ethereal Bimo chanting scriptures, symbolizing the Yi people's
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
Water is given a feminine and gentle image, which is deeply associated with the image of "A're'nou" (Yi girl). Through everyday scenes such as weaving, grinding bean curd, and singing duets by the creek, it shows the brilliance of motherhood and the breed
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The background music is based on traditional Yi instruments such as the Yueqin and mouth harp, accompanied by live chorus folk songs, sometimes melodious and sometimes impassioned; the lighting switches with the plot, using warm light to render warmth at
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
The play incorporates intangible cultural heritage items such as Bimo chanting, Duole dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their songs and dances retain their original ecological charm, without any deliberate carvi
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
“A Re Niu” uses a visual feast to allow the audience to understand the core of the Yi culture, which is "awe of nature and love of life."
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Mountains" are the living homes and spiritual carriers of the Yi people. The scene switches to a backdrop of rolling mountains, with daily labor scenes such as cattle herding, winemaking, and embroidery slowly unfolding, accompanied by mellow Yi folk son
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
"Fire" represents the perseverance of men and the vitality of the nation: the fire wall rising on the stage, the torches in the hands of the actors, the fire wheels turning in the sky, and the "digital fire" flowing on the ground, more than ten kinds of f
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
The festival celebrations culminate in a fusion of ethnic elements such as the Doleohe dance, Datty dance carnival, and roasted pig banquet. When the entire venue lights up torches, actors and the audience dance together around the bonfire, pushing the pl
Seating chart for the Yi culture-themed live-action drama "A Re Niu"

Доступные варианты

"A Re Niu" Performance Ticket

VIP Area
1 426 000 UZS
≈$115
VIP Area
1 215 200 UZS
≈$98
Section A1
806 000 UZS
≈$65
Area A, Section 2
595 200 UZS
≈$48
Area B
384 400 UZS
≈$31

Включено

  • Ticket: One "A Re Niu" performance ticket

Не включено

  • Other personal expenses
  • Tips and gratuities

Eligibility

  • Children under 120cm in height are free of charge (free admission for children without seats)
  • Children with a height of 120cm and above will be charged the same rate as adults

Confirmation

  • You'll get confirmation within 24 hours. If you don't receive a confirmation email, reach out to our customer support.

Additional information

  • We recommend arriving 30 minutes before the start of the show.
  • Once the ticket is verified, it cannot be refunded, exchanged, or have its seat changed.
  • The front three rows of the stage are the "firework core area," where 3-meter-high fire walls and flowing "digital fire rivers" and other special effects are presented at close range. Although there is safety protection, it is recommended that the elderly, children, and people with respiratory sensitivities choose seats behind the fifth row. In the event of a sudden splash of fireworks, do not panic and stand up, you can lower your head and cover your face with clothing.
  • It is strictly forbidden to throw any objects (including glow sticks, snack packaging) onto the stage. The operation of pyrotechnic equipment generates high temperatures, and projectiles may cause fire hazards.
  • It is recommended to wear clothing made of flame-retardant materials such as pure cotton and linen, and avoid wearing flammable fabrics such as chemical fiber and nylon. Women with long hair need to tie their hair up to prevent accidental entanglement in equipment or ignition by sparks. Do not wear open-toed shoes (there may be scattered fireworks residue on the ground).
  • Please do not bring lighters, power banks (over 20000mAh), or other flammable or explosive items into the venue.
  • Pork is prohibited inside the theater (some Yi subgroups have dietary restrictions). You may bring bottled water, but please keep the area clean.
  • Please do not touch the eagle feather costumes, moon guitars, or other props on the stage at will, as they are all personal belongings of the actors or intangible cultural heritage artifacts.
  • For the "Fire Offering and Blessing - Carnival Night" event, you need to collect the safety torch provided by the scenic area (self-provided torches are prohibited), dance to the rhythm of the Datye dance, and maintain a distance of 1 meter from others to avoid collisions with the torches.

Usage validity

  • The voucher is valid only on the specified date (and time if applicable)

Opening hours

  • Open every Saturday night at 20:00

Show Schedule

  • Saturday: 20:00

Voucher type

  • Exchange the paper ticket for entry with the electronic QR code sent by Klook at the Arreniu Ticket Center.

Address

  • Inside Torch Square, Sanchakou South Road, Xichang City, Liangshan Prefecture, Sichuan Province

Выбрать этот вариант

"A Re Niu" Performance Ticket

VIP Area
1 426 000 UZS
≈$115
VIP Area
1 215 200 UZS
≈$98
Section A1
806 000 UZS
≈$65
Area A, Section 2
595 200 UZS
≈$48
Area B
384 400 UZS
≈$31

Включено

  • Ticket: One "A Re Niu" performance ticket

Не включено

  • Other personal expenses
  • Tips and gratuities

Eligibility

  • Children under 120cm in height are free of charge (free admission for children without seats)
  • Children with a height of 120cm and above will be charged the same rate as adults

Confirmation

  • You'll get confirmation within 24 hours. If you don't receive a confirmation email, reach out to our customer support.

Additional information

  • We recommend arriving 30 minutes before the start of the show.
  • Once the ticket is verified, it cannot be refunded, exchanged, or have its seat changed.
  • The front three rows of the stage are the "firework core area," where 3-meter-high fire walls and flowing "digital fire rivers" and other special effects are presented at close range. Although there is safety protection, it is recommended that the elderly, children, and people with respiratory sensitivities choose seats behind the fifth row. In the event of a sudden splash of fireworks, do not panic and stand up, you can lower your head and cover your face with clothing.
  • It is strictly forbidden to throw any objects (including glow sticks, snack packaging) onto the stage. The operation of pyrotechnic equipment generates high temperatures, and projectiles may cause fire hazards.
  • It is recommended to wear clothing made of flame-retardant materials such as pure cotton and linen, and avoid wearing flammable fabrics such as chemical fiber and nylon. Women with long hair need to tie their hair up to prevent accidental entanglement in equipment or ignition by sparks. Do not wear open-toed shoes (there may be scattered fireworks residue on the ground).
  • Please do not bring lighters, power banks (over 20000mAh), or other flammable or explosive items into the venue.
  • Pork is prohibited inside the theater (some Yi subgroups have dietary restrictions). You may bring bottled water, but please keep the area clean.
  • Please do not touch the eagle feather costumes, moon guitars, or other props on the stage at will, as they are all personal belongings of the actors or intangible cultural heritage artifacts.
  • For the "Fire Offering and Blessing - Carnival Night" event, you need to collect the safety torch provided by the scenic area (self-provided torches are prohibited), dance to the rhythm of the Datye dance, and maintain a distance of 1 meter from others to avoid collisions with the torches.

Usage validity

  • The voucher is valid only on the specified date (and time if applicable)

Opening hours

  • Open every Saturday night at 20:00

Show Schedule

  • Saturday: 20:00

Voucher type

  • Exchange the paper ticket for entry with the electronic QR code sent by Klook at the Arreniu Ticket Center.

Address

  • Inside Torch Square, Sanchakou South Road, Xichang City, Liangshan Prefecture, Sichuan Province

Выбрать этот вариант

"A Re Niu" Performance Ticket

VIP Area
1 426 000 UZS
≈$115
VIP Area
1 215 200 UZS
≈$98
Section A1
806 000 UZS
≈$65
Area A, Section 2
595 200 UZS
≈$48
Area B
384 400 UZS
≈$31

Включено

  • Ticket: One "A Re Niu" performance ticket

Не включено

  • Other personal expenses
  • Tips and gratuities

Eligibility

  • Children under 120cm in height are free of charge (free admission for children without seats)
  • Children with a height of 120cm and above will be charged the same rate as adults

Confirmation

  • You'll get confirmation within 24 hours. If you don't receive a confirmation email, reach out to our customer support.

Additional information

  • We recommend arriving 30 minutes before the start of the show.
  • Once the ticket is verified, it cannot be refunded, exchanged, or have its seat changed.
  • The front three rows of the stage are the "firework core area," where 3-meter-high fire walls and flowing "digital fire rivers" and other special effects are presented at close range. Although there is safety protection, it is recommended that the elderly, children, and people with respiratory sensitivities choose seats behind the fifth row. In the event of a sudden splash of fireworks, do not panic and stand up, you can lower your head and cover your face with clothing.
  • It is strictly forbidden to throw any objects (including glow sticks, snack packaging) onto the stage. The operation of pyrotechnic equipment generates high temperatures, and projectiles may cause fire hazards.
  • It is recommended to wear clothing made of flame-retardant materials such as pure cotton and linen, and avoid wearing flammable fabrics such as chemical fiber and nylon. Women with long hair need to tie their hair up to prevent accidental entanglement in equipment or ignition by sparks. Do not wear open-toed shoes (there may be scattered fireworks residue on the ground).
  • Please do not bring lighters, power banks (over 20000mAh), or other flammable or explosive items into the venue.
  • Pork is prohibited inside the theater (some Yi subgroups have dietary restrictions). You may bring bottled water, but please keep the area clean.
  • Please do not touch the eagle feather costumes, moon guitars, or other props on the stage at will, as they are all personal belongings of the actors or intangible cultural heritage artifacts.
  • For the "Fire Offering and Blessing - Carnival Night" event, you need to collect the safety torch provided by the scenic area (self-provided torches are prohibited), dance to the rhythm of the Datye dance, and maintain a distance of 1 meter from others to avoid collisions with the torches.

Usage validity

  • The voucher is valid only on the specified date (and time if applicable)

Opening hours

  • Open every Saturday night at 20:00

Show Schedule

  • Saturday: 20:00

Voucher type

  • Exchange the paper ticket for entry with the electronic QR code sent by Klook at the Arreniu Ticket Center.

Address

  • Inside Torch Square, Sanchakou South Road, Xichang City, Liangshan Prefecture, Sichuan Province

Выбрать этот вариант

"A Re Niu" Performance Ticket

VIP Area
1 426 000 UZS
≈$115
VIP Area
1 215 200 UZS
≈$98
Section A1
806 000 UZS
≈$65
Area A, Section 2
595 200 UZS
≈$48
Area B
384 400 UZS
≈$31

Включено

  • Ticket: One "A Re Niu" performance ticket

Не включено

  • Other personal expenses
  • Tips and gratuities

Eligibility

  • Children under 120cm in height are free of charge (free admission for children without seats)
  • Children with a height of 120cm and above will be charged the same rate as adults

Confirmation

  • You'll get confirmation within 24 hours. If you don't receive a confirmation email, reach out to our customer support.

Additional information

  • We recommend arriving 30 minutes before the start of the show.
  • Once the ticket is verified, it cannot be refunded, exchanged, or have its seat changed.
  • The front three rows of the stage are the "firework core area," where 3-meter-high fire walls and flowing "digital fire rivers" and other special effects are presented at close range. Although there is safety protection, it is recommended that the elderly, children, and people with respiratory sensitivities choose seats behind the fifth row. In the event of a sudden splash of fireworks, do not panic and stand up, you can lower your head and cover your face with clothing.
  • It is strictly forbidden to throw any objects (including glow sticks, snack packaging) onto the stage. The operation of pyrotechnic equipment generates high temperatures, and projectiles may cause fire hazards.
  • It is recommended to wear clothing made of flame-retardant materials such as pure cotton and linen, and avoid wearing flammable fabrics such as chemical fiber and nylon. Women with long hair need to tie their hair up to prevent accidental entanglement in equipment or ignition by sparks. Do not wear open-toed shoes (there may be scattered fireworks residue on the ground).
  • Please do not bring lighters, power banks (over 20000mAh), or other flammable or explosive items into the venue.
  • Pork is prohibited inside the theater (some Yi subgroups have dietary restrictions). You may bring bottled water, but please keep the area clean.
  • Please do not touch the eagle feather costumes, moon guitars, or other props on the stage at will, as they are all personal belongings of the actors or intangible cultural heritage artifacts.
  • For the "Fire Offering and Blessing - Carnival Night" event, you need to collect the safety torch provided by the scenic area (self-provided torches are prohibited), dance to the rhythm of the Datye dance, and maintain a distance of 1 meter from others to avoid collisions with the torches.

Usage validity

  • The voucher is valid only on the specified date (and time if applicable)

Opening hours

  • Open every Saturday night at 20:00

Show Schedule

  • Saturday: 20:00

Voucher type

  • Exchange the paper ticket for entry with the electronic QR code sent by Klook at the Arreniu Ticket Center.

Address

  • Inside Torch Square, Sanchakou South Road, Xichang City, Liangshan Prefecture, Sichuan Province

Выбрать этот вариант
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384 400 UZS за человека
≈$31
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Безопасная оплата
Мгновенное подтверждение

Политика отмены

  • You'll get a full refund if you cancel at least 24 hour(s) before the activity date (destination local time)

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